Sunday, 19 May 2013

Top 15 Features of Your DSLR Camera That You Should Know

Top 15 Features of Your DSLR Camera That You Should Know

Link to PictureCorrect Photography Tips

Top 15 Features of Your DSLR Camera That You Should Know

Posted: 18 May 2013 10:48 PM PDT

There’s a lot to learn when you first get a DSLR. The first things you need to know is how to get out of auto mode and start using your camera’s manual function. This tutorial will show you the 15 things you need to know when starting out (for those of you reading this by email, the seminar can be seen here):

The 15 Things You Should Know:

  1. Shooting Modes - Aperture Priority, Shutter Priority, and Manual Mode. Each has their own purpose.
  2. Depth-of-Field – This is a measure of how much of the scene is in focus and is most easily controlled by changing the aperture.
  3. ISO – This increases the camera sensor’s sensitivity to light, but also increases that amount of digital noise.
  4. Focus Modes – There’s fixed focus and servo focus, as well as a hybrid mode. Which is best to use depends on the movement of your subject.
  5. Focal Points – Selecting one or several focus points can help you fine-tune your focusing.
  6. Back Focus - Using the button on the back to focus can help you snap photos faster.
  7. Exposure Compensation – This is handy for tweaking the exposure values that the camera determines.
  8. Custom White Balance – If you want perfect white balance, customizing it is you best option.
  9. Highlight Control – Shows areas of the photo that have been blown out.
  10. Metering Modes – This controls how your camera determines the exposure.
  11. Live View Mode – This helps for previewing your exposure and fine-tuning your focus.
  12. Flash Control – Knowing when and how to control your flash is important when lighting your image.
  13. Image Stabilization – More importantly, when NOT to use this because it’s not always needed.
  14. The Beep – That beep when you focus for the most part is unnecessary.
  15. Customizable Menu -  For an easier time navigating your menus, you can make your own.
fifteen things you should know beginner

Depth-of-Field is a must know

For Further Training on Camera Settings:

There is a downloadable multimedia tutorial with videos that teaches you how to take control over your camera, and get creative and confident with your photography. By combining illustrations, text, photos and video, it will help you get control in no time. Includes a bonus Field Guide—a printable pocket guide with some of the most essential information beautifully laid out inside.

It can be found here: Extremely Essential Camera Skills


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Article from: PictureCorrect Photography Tips

Make the Leap from Amateur Photographer to Professional

Posted: 18 May 2013 04:56 PM PDT

Those new to the idea can be taken by surprise and even feel a little uncomfortable at the prospect of running a photography business. Their photography is now a product that needs to be sold. However, no one can run a successful photography studio in the long term if they persist with the idea of being primarily a photographer, while ignoring the necessary business aspects.

Professional Photography Is Fun, But It’s No Game

"Photographer" captured by Mert Oneyli. (Click image to see more from Mert Oneyli.)

“Photographer” captured by Mert Oneyli. (Click image to see more from Mert Oneyli.)

Despite the serious nature of the photography business, being a professional photographer can be fun, highly rewarding, and deeply satisfying in the creative sense. Unfortunately, too many new pro photographers treat their business like an easy game, which is the fastest path to a business meltdown and ultimate failure.

But how can an amateur photographer who does take this seriously actually make the leap to becoming a professional photographer?

Start With An Inventory

The first thing to do is to take a complete inventory of everything the photographer already has that can be used for the business:

  • Cameras and lenses (both primary and backup)
  • Lighting equipment (indoor studio and portable lighting)
  • Backdrops, props, and stands
  • Miscellaneous photographic and studio gear
  • Computing equipment, software and hardware
  • Office equipment and necessary supplies (for example, printers and ink)
  • Physical studio space (rented or at home)

Most amateurs probably have many of these things to begin with, but it’s important not to get bogged down by the details. Instead, list the available resources as a starting point. There will undoubtedly be gaps that need to be filled. For example, backup cameras are critical for the wedding photographer; failure on someone’s wedding day is not an option!

With that said, this is no time to start shopping for all the latest and greatest gear! The idea that photographers must own the newest high dollar camera in order to be successful, for example, is a myth. The time to invest in better equipment is later on, when the business is generating sufficient revenue.

When making the jump from amateur to professional photographer there’s something far more important to invest in: business and marketing education.

"Fujifilm Finepix S100fs" captured by Henrik. (Click image to see more from Henrik.)

Photo captured by Henrik. (Click image to see more from Henrik.)

Invest In Knowledge–Not Just Equipment

For some reason, business education is a difficult thing to persuade many photographers to invest in, but taking the time and effort to learn about running a business separates the wannabes from the truly dedicated professionals.

As soon as the photographer makes the decision to go pro, it’s the time to figure out where his or her personal strengths and weaknesses are with regard to business, accounting, marketing, and sales.

Of course, technical skills and a dedication to the art of photography are still important for creating a quality product, but skills and passion won’t matter if the photographer has very little idea of how to run a business.

The early days in starting a business are the time when the photographer is simply unaware of the things he or she needs to know, but doesn’t (in other words, “blind spots”). A better understanding of where photographers are in their personal business development is of critical importance.

Some areas to which most newcomers to the business should give serious thought include the following:

  • Branding
  • The importance of a positive business attitude and mindset
  • Creating an attractive product range and price it accordingly
  • Business communication skills–written and verbal
  • Search engine optimization
  • Persuasive copywriting
  • Marketing know-how
  • Building relationships with other businesses
  • Sales techniques and overall confidence in selling
  • Creating and maintaining positive client relationships
  • Business administration, such as legal and accounting tasks

Some of these may require extensive training, but education is perhaps one of the best investments to be made in any photography business.

"Italy" captured by Yasser Zohdy. (Click image to see more from Yasser Zohdy.)

“Italy 09/2012″ captured by Yasser Zohdy. (Click image to see more from Yasser Zohdy.)

Ultimately, the amateur-turned-professional photographer is now the CEO of a new business venture and should therefore approach the acquisition of knowledge and skills required to run the business in just the same way as any other serious business owner.

About The Author:
Nigel Merrick is a professional photographer, blogger and business coach for other working photographers. Nigel's blog (www.zenologue.com) helps professional photographers find peace in their business, love from their clients, and happiness in their personal lives by clarifying their focus on business and marketing.


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Article from: PictureCorrect Photography Tips

The Delicate Art of Analog Photography & Film Printing

Posted: 18 May 2013 09:21 AM PDT

Photography has conquered new grounds and has seen its popularity grow by leaps and bounds with innovation in the field of camera electronics, expression styles, medium of sharing one’s work with the world and of-course with the help of new age editing software and techniques. Digital photography has swamped this creative discipline but the art of Analog photography still finds its existence within a select few. This short documentary video from Thai Anh Duong takes you behind-the-scenes of Billy Mork’s passion involving analog film printing.

Analog-film-printing-photo1

Billy Mork, the founder of Imagini, took up photography during his teens and has seen different trends come and go involving the art of taking photos, processing them and creatively coming up with amazing works. He got himself involved quite early with dark room analog film printing initially but then took a back seat when the digital megapixel war began. During that period he briefly transformed himself into a art director and later found himself working in the architecture domain. Finally, his passion got the better of him and Billy went back to doing what he did best – black and white analog film printing.

Billy shares his insights on why Analog photography is challenging at times and how one can master this art of analog film printing -

  • The image must already be framed at the back of the mind for a photographer even before he picks up the camera to shoot.
  • There are no second chances in analog photography. One does not have the luxury to shoot an image, review it, delete it for not liking it and then going on to shoot another one until it comes out perfect.
  • Analog photography is all about working on the image in post processing in a dark room. One cannot afford to miss on any details while shooting.
  • Photographers need to be precise in what they are shooting. One cannot miss on any subject matter.

(for those of you reading this by email, the video can be seen here) When it comes to post processing the film to get the actual prints, Billy mentions it is at that time as a photographer that you can manipulate the images such that it reflects your unique taste and style. You decide whether your images should have a high contrast, low contrast, dodging, burning or any other acceptable edits that you can make. Everything needs to be performed in the dark room and that itself is a challenge of its own. The ability to get people to focus on what you would like them to see is an art which requires creative skills.

“Analog film printing represents a photographer’s unique personality, style and provides an identity to his or her work. It gives a signature style and an essence of creativity!”

Billy reflects on the thought that a photographer should be able to build their own zone which can depict one’s personal signature work. As per Billy, photography in black and white will never die based on various experiences he has had and the feedback that he has received from photographers world-wide!


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Article from: PictureCorrect Photography Tips

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