Sunday, 16 June 2013

Aperture Priority, Shutter Priority, and Manual Mode

Aperture Priority, Shutter Priority, and Manual Mode

Link to PictureCorrect Photography Tips

Aperture Priority, Shutter Priority, and Manual Mode

Posted: 15 Jun 2013 04:42 PM PDT

Quick Announcement for the Dads Today: Some popular multimedia training guides on sale until midnight – Essential Camera Skills, Super Photo Editing Skills, and Simple Wedding Photography.

Digital photography has given almost anyone with a camera the potential to become a creative photographer. These days even compact cameras offer features that once were only found on ‘serious’ SLR cameras.

aperture and shutter priority modes

“Autumn on the Virgin River Zion National Park” captured by nathan mccreery

The trouble is, most people who have grown up with point-and-shoot cameras have very little idea what these features are all about. After buying a good digital camera with the best intentions, they soon give up and switch to automatic.

Are the settings on your camera really so hard to understand? Of course not, but it can seem that way at the start, especially if they are not explained to you in simple terms you can understand.

The two settings you need to understand here are Aperture and Shutter Speed. Aperture is the size of the hole that lets the light in for your photo. The larger the hole, the brighter the exposure. The shutter speed is the length of time given to each exposure. Slower shutter speeds allow more light, resulting in a brighter exposure. By finding the right balance of these two settings, you and/or your camera control whether your photo is overexposed, underexposed, or just right.

With your camera set to Manual mode, you control both settings. If this seems daunting, you can start with the semi-automatic functions, Aperture Priority and Shutter Priority.

How do the semi-automatic functions work? They allow you to choose one setting (either aperture or shutter speed), while the camera chooses the other. That way you can be a little bit creative, but with the safety net of knowing your camera will make sure your exposure is correct. It is a good halfway point between automatic and manual.

Aperture Priority

Let’s start with Aperture Priority. This function allows you to set the aperture on your camera; the camera chooses the shutter speed for you.

aperture priority mode on digital cameras

“Enduring Freedom” captured by Mark Feliciano (Click Image to See More From Mark Feliciano)

The aperture controls depth of field (the area in front and behind the main subject that will be in focus). When you set a wide aperture, you reduce the depth of field; when you choose a smaller aperture, you will have a greater depth of field.

Obviously when you change the aperture, you change the level of light in your exposure. The camera will compensate by adjusting the shutter speed. So when you operate your camera in Aperture Priority mode, you have control over the depth of field, but your camera still makes sure your exposure is correct.

The catch here is, you still need to keep track of what your shutter speed is doing. If it falls to a very slow speed, you need to use a tripod to eliminate camera vibrations.

Shutter Priority

How about Shutter Priority? Here you set the shutter speed, and the camera balances the exposure by setting the aperture. This is a great system if you are working with moving subjects. Sometimes you may want to freeze a moving subject with a fast shutter speed, or create a motion effect with a slower shutter speed. Meanwhile the camera compensates for the changes in shutter speed by adjusting the aperture.

Shutter priority may be a better option for some beginners. It is much easier to stay aware of when to use your tripod. Also, when your camera manages the aperture, it controls the depth of field, which is not usually as critical as the shutter speed. You may not always get exactly what you want, but you won’t get any catastrophic failures.

These two semi-automatic functions appear to offer you the best of both worlds. You get to be a bit creative, and try out your photography skills, while your camera’s high-tech hardware makes sure you don’t overexpose or underexpose the photo. So far, it sounds perfect.

So why should you learn to operate your camera in Manual mode? The answer is simple.

Aperture Priority and Shutter Priority both work on the assumption that your camera’s reading of the exposure is always correct. Unfortunately, that is not always true. In fact, sometimes you have to be smarter than your camera.

Manual Mode

Imagine you are photographing a flower in the sun, but the background is in the shade. This simple situation can be all it takes to confuse your camera. It may expose for the background, brightening the exposure and totally overexposing the flower.

digital camera manual mode

“3 On the Window” captured by Alex Lewis (Click Image to See More From Alex Lewis)

In this situation, semi-automatic settings will not solve the problem. You could reduce the brightness of the exposure by (for example) reducing the size of the aperture. The camera would simply adjust the shutter speed to compensate, maintaining what it believes to be the correct exposure.

What you need to do is switch the camera to Manual. Then you can adjust both settings and create an image that is slightly darker, bringing your flowers into perfect exposure.

This is not just a hypothetical exercise. Situations arise all the time that require you to out-think your camera. If you understand how to operate your manual settings, you can take control, and you won’t be left blaming your camera for ‘the one that got away.’

About the Author:
Andrew Goodall writes for http://www.naturesimage.com.au and is a nature photographer based in Australia. He manages a gallery in Montville full of landscape photography from throughout Australia.

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It can be found here: Extremely Essential Camera Skills


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Article from: PictureCorrect Photography Tips

The Future of Space Imagery

Posted: 15 Jun 2013 02:25 PM PDT

You’ve heard of the Hubble Telescope, the famous piece of space engineering launched in 1990 to capture more detailed images of the stars and galaxies. What you may not know is that engineers are working to create a new telescope to further their knowledge of the final frontier. This new telescope, called the James Webb Space Telescope, can capture infrared images and is scheduled to launch in 2018. This video explains more of what the Webb will be able to accomplish (for those of you reading this by email, the video can be seen here):

The Advantages of the Webb Space Telescope:

  • Infrared Imaging - Rather than capturing the visible light that’s produced by stars and planets, Webb will capture the infrared light that these bodies produce. The further a star or planet is away, the more the visible light that it produces is stretched. This visible light becomes infrared light meaning we need an infrared image to see the plants and stars that are really, really far away.
  • Larger Mirror - Just like a larger sensor in a camera, the larger surface area of the mirrors in the Webb will increase its resolution, providing scientists with more detailed images (Via Petapixel).
  • Launched Into Space - Just like the Hubble Telescope, the James Webb will be launched into space to overcome the atmospheric distortion that plagues regular land-based telescopes.
space webb telescope mirror size

Size comparison of Hubble vs. Webb mirror

eagle nebula infrared image planets stars

Infrared image showing planets and stars visible through the Eagle Nebula


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Article from: PictureCorrect Photography Tips

Jewelry Brand Photography Tips

Posted: 15 Jun 2013 01:11 PM PDT

Doing commercial photography work for a jewelry line sounds easy enough, but shooting the shiny ornaments presents certain challenges. For one, a photographer must be adept in both closeup photography and portrait photography to present a complete picture of the product and the lifestyle associated with it. In the video below, photographer Nick Fancher takes us on a behind-the-scenes look at how he went about shooting pieces from Leo’s Wisdom, a line of handmade jewelry for men (for those of you reading this by email, the video can be seen here):

Nick uses a pair of Canon L lenses, the 35mm f/1.4 wide-angle and the 70-200mm f/4 telephoto, to turn his ideas into images. He employs both ambient light and triggered strobes to correctly expose his subjects, and he puts props — whether it be an antique bottle to hang a necklace on or the interior of a sprawling mansion to serve as portrait environment — to good use.

jewelry product photography

The next time you see dazzling images of jewelry in your favorite glossy magazine, you know what it took to make them.


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Article from: PictureCorrect Photography Tips

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