Tips for Photographing Camera Shy Guys |  |
- Tips for Photographing Camera Shy Guys
- 14 Impressive Examples of How to Use Reflections in Photography to Add Depth
- Street Photographer Uses Body Cam During Outings, Ends up Capturing Own Arrest
| Tips for Photographing Camera Shy Guys Posted: 28 Aug 2013 04:38 PM PDT Final Reminder: Only 1 day left! in the deal on: Ultimate Photography Contracts Bundle Photographing guys can be challenging, because as a portrait & wedding photographer I spend all of my time taking pictures of people who are not models and don’t know how to pose. To make things more difficult most of my male subjects don’t even like to have their picture taken. With that being said I enjoy working with guys and actually find it very easy because I have found 5 tips that help me every time, capture priceless portraits. #1 Have Fun Canon 5d MkII: 1/250th @F5 ISO 2500. Lens: 70-200 2.8 @ 85mm
The first step in my mind is the easiest and most important. As the photographer your subjects will be looking to you for guidance, because we have been trained from an early age to stop and say cheese when somebody is taking your picture. The problem with “posed” portraits is your pictures will all look stiff and boring. The popular buzz word over the last few years is photojournalism, which is fine but if you were to only work with that mind set you would never get any official shots, and I think its being lazy. I know we are getting paid to take pictures but as a good photographer you need to be engaged with your clients. The more fun and engaged your are with your clients the more open they will become to the camera. In a way your subjects truly make the difference if you pictures pop or not. If you took the most amazing technical image but your clients don’t like you and don’t open up the image will be without emotion. In the end as photographers we are there to capture emotions out of our subjects and viewers. When you are taking pictures of your clients you still need to pose them to a point. Remember as a photographer we are still responsible for the images background, foreground, and composition. What I recommend is actually put your subject where you want them so the light and other photographic elements are good but have fun with your subject and encourage them to joke around with you. Trust me this will make the experience for your client much more enjoyable, which will show in the images. #2 Hands
 Canon 5d MkII: 1/200th @F6.3 ISO 250. Lens: 70-200 2.8 @ 105mm. Flash: Canon 580EXII off camera left at Manual 1/16 Let me start by saying hands are difficult, and actually my least favorite part, of takings portraits. I feel like hands look like dead blobs attached to our subjects arms. I also think if your subjects hands are just at their side it destroys even the best of photographs. I have a hard time describing it but hands at the side look like your subject has no interest in the photograph. Often when I start taking pictures my subject will ask me what do I do with my hands. Start looking at pictures in catalogs, or advertising campaigns and you will notice the subjects hands are always doing something. I call this giving your hands a task, if you have your subject do something with their hands your images will look more engaging. If your subject is in a suit I often have them put a hand in their pocket, I often have them lean on a wall which gives them a place to put their hands. Another idea for hands is to have them hold something, this can be anything from a coffee cup to holding on to their jacket. Remember give your subjects hands a task or your subject will look/feel funny. #3 Environment Canon 5d MkII: 1/200th @F6.3 ISO 800. Lens: 70-200 2.8 @ 200mm. Flash: Canon 580EXII off camera right @ Manual 1/32, Canon 580EXII off camera behind subject right @ Manual 1/8. I know your subject is the most important part of the image, but please don’t forget your environment. When I am taking portraits I am actually spending most of my time thinking about the environment, framing, composition, and depth of field. Most newer photographers actually forget to think about this part. I have seen tons of pictures where the subject is looking good and having fun but it was shot on a flat background. When I say flat background I am saying its a view of the water, or a grass field. Don’t get me wrong a scenic background is great but if you are wanting your pictures to stand above the rest find ways to add depth to your image. Picking a good environment can make a complete difference in a picture. Take the above image as an example technically the images exposure and lighting is strong, but I fee like the environment is the only thing keeping my eyes attention. This picture has a great framing, and a good use of lines. I know pictures are two dimensional but I spend lots of time trying to make them have depth, in the above image this is done by the repeating lines and shallow depth of field. #4 Posture/Camera Angle Canon 5d MkII: 1/200th @F4 ISO 50. Lens: 70-200 2.8 @ 200mm. Flash: Canon 2 580EXII off camera left at Manual 1/4. Posture and emotion is a very important element for any photography. If you are trying to capture a silly picture you would not want to have your subjects frowning would you? Since I am a wedding and portrait photographer I spend my time making people look friendly and happy, so I use posture and camera angle to help tell my story. Camera angle is very important and subtle, If your subject is trying to show power you take the picture looking up at him a great example of this is politics. Look at political pictures most of them will be shot up at them, as it shows power. So if you are to take pictures where the subject looks friendly you would shoot down on them. These changes don’t need to be dramatic, as little changes go a long way. I personally don’t do this at extremes because the more of an angle the more obvious it becomes. The difficult part for me is I am not a tall person so shooting down on people is difficult. I spend most of my days standing on my toes/boxes or looking for smalls hills. Your subjects posture is also very important. If you are trying to take images where your subject looks happy make sure to put them into relaxed poses. I rule always say to my subjects is if they feel funny in a pose to stop because if they feel funny it will look funny in the image. Often I find my self telling my subject to meet me over by that fence and I watch how they stand, because most often they will stand relaxed. If I know what is relaxing for my subject I can then just make a few changes to make the image strong instead of me trying to pose everything with them. #5 Accessories Canon 5d MkII: 1/200th @F2.8 ISO 250. Lens: 100mm Macro 2.8 @ 100mm. Flash: Canon 580EXII off camera left at Manual 1/32. I find accessories to be important as it is an extra element that shows your subjects emotions or personality. In the above picture I found out while talking to my subject during the photo-shot that he loves playing the guitar. I asked if he had his guitar with him and if so would he get it and play something for me. He played some song for me, I actually have no clue what he was playing but I used that time taking his pictures while playing. While he was playing he opened up and relaxed out of “picture mode”, which was great as we got his best pictures during that time. It was wonderful when he started to smile because in the picture I was able to show more personality then just a picture of him sitting along a fence. Accessories for the most point are always good in photos, because it gives the viewer more to look at in the image. Accessories can be things like bags, hats, jewelry, skateboards….. anything that adds to the photo. When using accessories try and tie their color into the image, so for example if your subject was carrying a blue hat try and find a shade of blue to add to the picture. Think of the color wheel and use complementary colors to your advantage to make your image pop. About the Author Photography Contracts Deal Ending Soon:For a variety of photography businesses, such as portrait photographers, we were able to arrange a 70% reader discount which expires in 1 day on this photography contracts bundle that can be easily customized to your photography business. They are a great way to protect you and add peace of mind if a portrait session goes badly. They also work well to set client expectations and make you more confident as a professional. The deal can be found here: Photography Contracts Bundle Go to full article: Tips for Photographing Camera Shy Guys |
| 14 Impressive Examples of How to Use Reflections in Photography to Add Depth Posted: 28 Aug 2013 02:41 PM PDT A reflection is an excellent way to instantly create an interesting composition in your photograph. It could involve an expanse of water, a mirror, or even the chrome of an automobile trim! Today we've collected 14 interesting examples of reflections in photography for your inspiration and enjoyment:  photo by Hassan Anding  photo by Supriya Mukherjee  photo by Katie Welch  photo by Jody Sticca  photo by Thomas Leuthard  photo by Doug88888/  photo by Bérenger ZYLA  photo by MorBCN  photo by Mehrad.HM  photo by sherryl  photo by MorBCN  photo by Bérenger ZYLA  photo by Trey Ratcliff  photo by Mike Baird For further training, we have brief article on the types of reflections often used in photography. Go to full article: 14 Impressive Examples of How to Use Reflections in Photography to Add Depth |
| Street Photographer Uses Body Cam During Outings, Ends up Capturing Own Arrest Posted: 28 Aug 2013 12:32 PM PDT As a photographer it’s important that you know your rights when out shooting in public. Since they will vary from locale to locale, if you plan on travelling to a foreign country, be sure to read up on the protocol before you arrive. While your legal rights as photographers may not always be granted, as you will see in the video below, being prepared should a problem arise can help you stay out or get out of trouble: While out working on his street photography, professional photographer, Shawn Nee, had a run in with the Los Angeles Police Department, that Nee feels was entirely unjust. As he was photographing a gentleman he has known for many years, he noticed the police responding to a call in a nearby apartment complex. He turned his attention to the officers and began shooting images from afar. The entire altercation was captured on film via a small body camera Nee had clipped to the strap of his backpack.  Nee points out the spot where he was incarcerated. The body camera he used to capture his arrest can be seen attached to the strap across his chest. The police then turned their attention to Nee and approached him from behind a chain link fence which separated the apartment complex and the area where Nee was working. When Nee refused to answer some of the questions from the police officers, which, by law, he is not required to, the police became agitated and put the photographer in cuffs citing he was interfering with a police investigation.  Nee’s body camera captured this shot of the police officers who would later arrest him. Nee is currently involved in a lawsuit in which he and two other photographers are plaintiffs against the Los Angeles County Sheriff’s Department. The photographers are being represented by the American Civil Liberties Union of Southern California Go to full article: Street Photographer Uses Body Cam During Outings, Ends up Capturing Own Arrest |
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