Thursday, 12 September 2013

New Release: 50 Lessons for Stronger Photographs

New Release: 50 Lessons for Stronger Photographs

Link to PictureCorrect Photography Tips

New Release: 50 Lessons for Stronger Photographs

Posted: 11 Sep 2013 07:56 PM PDT

Professional photographer and best-selling author David duChemin just released a very in-depth educational eBook deemed a “BigBook” at 200 pages in length. DuChemin has always emphasized the aesthetic side of photography over the technical and produced this guide in the way that he thinks photography students SHOULD be taught in school. There is no secret thing you will learn here or anywhere else, except this: study, practice, and don't forget that your most important assets as an artist are imagination, passion, patience, receptivity, curiosity, and a dogged refusal to follow the rules. Now available here: The Visual Toolbox – 50 Lessons for Stronger Photographs

visual toolbox

New! The Visual Toolbox: 50 Lessons for Stronger Photographs

“How new, shiny, sexy, small, large or European your camera is doesn't make a hill of beans' worth of difference to how it moves the human heart. Astonishing work is created on old lenses, Polaroids, Holgas, old Digital Rebels, and the venerable AE-1. You won't impress anyone, other than other photogra- phers, with your list of L-lenses.

The only thing most of us truly care about are the photographs—the rest is irrelevant. Don't let it sidetrack you. Envy, gear lust, and the lie that better gear will make more compelling photographs just pulls your mind and heart from making art. Beauty can be made with the simplest of means.”

Topics Covered (200 Pages):

  • Introduction
  • Manual
  • Optimize Your Expostures
  • Master the Triangle
  • Use a Slower Shutter Speed
  • Learn to Pan
  • Use Intentional Camera Movement
  • Use Wide Lenses to Create a Sense of Inclusion
  • Learn to Isolate
  • Isolation: Use a Longer Lens, Use a Wider Aperture
  • Use Tighter Apertures to Deepen Focus
  • Use Bokeh to Abstract
  • Consider Your Colour Palette
  • Explore Colour Contrast
  • Lines: Use Diagonals to Create Energy
  • Lines: Patterns, Lead my Eye, Horizons
  • Learn to Sketch
  • See the Direction of Light
  • Light: Front Light, Side Light, and Back Light
  • Quality of Light: Further Consideration
  • White Balance for Mood
  • Light: Reflections, Shadow, Silhouettes, Lens Flare
visual toolbox

Pages from The Visual Toolbox (Click to See More)

  • People
  • Understand Visual Mass
  • Experiment with Balance and Tension
  • Use Your Negative Space
  • Juxtapositions: Find Conceptual Contrasts
  • Orientation of Frame
  • Choose Your Aspect Ratio
  • Use Scale
  • Explore Possibilities
  • Slow Down
  • Stay Present
  • Simplify
  • Shoot from the Heart
  • Print Your Work & Live with It
  • Listen to Other Voices (Very Carefully)

“Pace your- self. Anyone can master a camera; that just comes with time. It's the other stuff—learning to think like a photographer—that takes so much work and allows this craft to become the means by which you create art. At a certain point you're going to stop caring how others would do it, or think you should do it, and you're going to realize it's all too important to take so damn seriously, and you're going to begin to play, and create photo- graphs the way you once did, purely for the joy of seeing how things look when the camera sees them and that is when you'll fall in love again with photographs themselves instead of these ever-changing black boxes.” -Author David duChemin

How to Get a Discounted Copy for the Next Few Days:

For the first few days, if you use the promotional code TOOLBOX when you checkout, you can receive The Visual Toolbox for only $17 (normally $20) OR use the code TOOLBOX20 to get 20% off when you buy 5 or more ebooks from the C&V collection. These codes expire at 11:59 PM (PST) September 17, 2013.

Found here: The Visual Toolbox – 50 Lessons for Stronger Photographs


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Article from: PictureCorrect Photography Tips

Interesting Photo of the Day: Sunrise Photo of the Twin Towers During Construction

Posted: 11 Sep 2013 02:54 PM PDT

Twelve years after the collapse of the World Trade Center, the senseless tragedy is still fresh in most Americans’ minds. Though construction on the new World Trade Center is nearing completion, and 1 World Trade Center now stands in the Twin Towers’ place, the New York skyline, depicted in countless photographs, will never be the same.

The original World Trade Center, designed by Minoru Yamasaki, took seven years to build. Its architecture was innovative, and the project monumental–164 buildings had to be torn down to make room for its construction, and it was to be the tallest building in the world. The North and South Towers were constructed around central core columns and had load-bearing walls, which made for an interesting, hollow look during construction. This photo, taken at sunrise in 1972, is a rare and beautiful look at the towers under construction the year before the WTC’s ceremonial opening on April 4, 1973.

world trade center construction

1972 Construction of World Trade Center (Via Imgur, Click for Larger Size)

Construction of 1 World Trade Center, designed to replace and pay homage to the original twin towers, began in 2006. The main tower, with its illuminated antenna, is 1,776 feet tall–the tallest building in the Western Hemisphere. The image below, taken in August 2012 during the tower’s construction, makes for an interesting comparison–it shows a far different scene from the original photo.

1 world trade center construction

1 World Trade Center Construction (Via Imgur)

The new World Trade Center complex is set to be completed by 2015.


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Article from: PictureCorrect Photography Tips

How to Photograph a Silhouette in Front of a Giant Moon

Posted: 11 Sep 2013 10:34 AM PDT

In January of 2013 Swiss photographer, Philipp Schmidli, got it into his mind that he wanted to photograph the full moon with a subject walking in front of it so to give the moon scale. He began scouting locations from the comfort of his office using Google Earth and was eventually able to settle on the perfect location after making a couple trips to are in person. What he didn’t know at the time was that his adventure in full moon photography would carry on well into the summer and evolve from an image of a friend cross country skiing through the scene into a replication of sorts of the popular film ET’s movie poster which is shown below:

Doesn't this remind you a bit of ET?

Remind you a bit of ET?

After a few failed attempts to further perfect the image he captured in January, the photographer carried on his quest. After a few failed attempts in February and March due to uncooperative weather, Schmidli rounded up a friend in April to act as the subject of his photo, this time bicycling through the moon rather than skiing. When he posted April’s image to his blog, readers instantly began comparing the image to the movie poster for ET. While not his original intention, Schmidli noticed the similarities and vowed to make yet another full moon photograph, this time with the famous ET scene on his mind.

Wen August rolled around, Schmidli was ready to take a crack at getting the ET replica shot made. Since the moons exact location in the sky is ever changing, after making some slight modifications to the location in which the shoot would take place, Schmidli asked three cyclist and some assistants to make the trek to the remote location.

The photoshoot required some heavy lifting across the mountainside.

The photoshoot required some heavy lifting across the mountainside.

This time, with three cyclist and ramp involved in the shoot, preparing the set was no easy task.

This time, with three cyclist and ramp involved in the shoot, preparing the set was no easy task.

To get the shot, Schmidli set up his Canon EOS-1D XCanon EF 800mm f/5.6L IS USMCanon Extender EF 2x II, tripod, and a useful Garmin GPS eTrex 30 unit in a second location.

full-moon-ET-photo-4

The red circle indicates the location of the moonrise and cyclists.

The 800mm zoom lens paired with the 2x teleconverter gave the photographer a combined focal length of 1600mm. In an effort to make the moon appear even larger than in his first attempts at the full moon photo, Schmidli increased the distance between the moon and the subject by 1000 meters from 300 in the January image to 1300 meters for this shoot.

The addition of the basket on the bike was also new to the August image and was intended to replicate the basket that ET rode in.

The addition of the basket on the bike was also new to the August image and was intended to replicate the basket that ET rode in.

Adding a stuffed animal to the basket created the perfect silhouette.

Adding a stuffed animal to the basket created the perfect silhouette.

full-moon-ET-photo-7

Test runs were made continuously throughout the quick moonrise.

Each cyclist made about 3 runs up the ramp before the moon had risen too high. Luckily Schmidli was able to get the shot in time. Using a lot of planning, preparation, and critical thinking Schmidli was able to pull off the final image without using Photoshop.


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Article from: PictureCorrect Photography Tips

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