Saturday 26 October 2013

Tips for Using Window Light in Portrait Photography

Tips for Using Window Light in Portrait Photography

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Tips for Using Window Light in Portrait Photography

Posted: 25 Oct 2013 04:34 PM PDT

Back in the 80′s and 90′s window lighting was very avant-garde and fashionable. However, then the window was always part of the scene. The subject was facing directly into the window or at a 45 degree angle so the light would softly illuminate the side facing the window. Reflectors were sometimes used to fill in the shadow side. This produced a dramatic look.

window light portrait

“morning” captured by shovona karmakar (click image to see more from shovona karmakar)

Other than window lighting, most portrait photographers used studio lights inside a camera room or on location. Using natural light as the only light source meant they were just starting out, were too poor to afford lights and were not smart enough to figure out lighting. I know this because I was one of them.

Now fast forward to 2010. Natural light has made a comeback, not only for newbies but for pros as well. Natural light is the new look for portraits for newborns, infants, children and seniors. Now with minimal equipment almost anyone with a good camera and lens can take exceptional indoor images. It is definitely a sought after look, so how do you nail it?

First you need windows with a northern or southern exposure. This will provide a very soft, indirect light all day long. Next you will need a room with lots of window (floor to ceiling the best). You will need to raise the blinds or drapes for the entire room. Next, turn off all interior lights as they may cause a color balance shift or unnecessary shadows under the eyes.

Once you have the room set up, you need to place your subject in an ideal location. Best to have them face a window, with your back to the window. (you do not want to block the light). You can use your built in spot meter and meter on their face to obtain an optimal exposure for skin tones. I recommend using a wide aperture (2.8 or wider) for a selective focus look. You will most likely need to balance the wide aperture with a fast shutter speed, but that is okay, especially if you are photographing children. Be prepared to increase you ISO to 800 or even more.

What if you want to have the window as the background? That would be a very tricky lighting situation to have your subject back-lit. The back-lighting would result in an over-exposed background and underexposed skin tones. It is best to avoid this situation unless you want to take several exposures and apply a little HDR in Photoshop, or you want to use flash.

Not all interiors are suitable for natural lighting. If you want your scene to be 100% natural light (no cheating with fill flash) you will need to do test shots prior to the assignment. Also rooms that have windows facing east or west may offer too much direct lighting. You can still use them; however you will need to be more careful where you place your subject.

window light portrait tips

“PA Window Light Portrait” captured by Rayme (Click Image to See More From Rayme)

What you might save on lighting you will need to spend on equipment. Generally full frame DSLR’s provide higher ISO settings with the least amount of noise. The Canon 5D Mark ii is an example. Also the lens will need to be a fast lens, one which opens up to 1.2 or 1.8. A very popular lens now is the Canon 50mm 1.2 lens. Also the Canon 85mm 1.8 lens is a good choice. Neither is a zoom lens, so you will need to be move instead of the lens zooming. They are very affordable and best of all, lightweight.

You may want to consider having a tripod with you in case you need to shoot a slow shutter speeds. I also recommend a white balance target so you can custom white balance your shots. Interiors with brightly colored walls can sometimes cause a color cast on the subject so a custom white balance is a must.

The qualities of a naturally lit portrait are many: the subject has a soft, flattering look, the eyes have catch-lights, the background is out of focus from the shallow depth of field and the subject looks relaxed in an un-staged environment. If you photograph infants or children your client will appreciate the at home service. A studio can also offer this service if there are ample windows.

indoor potraits with window light

Photo captured by Barbara Klein (Click Image to See More From Barbara Klein)

Experiment at home before you go out on assignment. It will be easier than you think to achieve this highly desirable type of lighting. Go for it while the time is right; you never know what tomorrow is going to bring.

About the Author:
Mary Buck is a professional photographer with Lightscapes Photographic Artwork in Duluth, GA (www.lightscapesphoto.com). She has a tutorial on “How to Start a First Year Infant Program” which can be found at; http://www.nuovo-amore.com. She is also an educator and mentor for photographers who need help building their business.


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Photography Tips on Facebook: Reaches 60,000 Followers

Posted: 25 Oct 2013 01:42 PM PDT

We love our Facebook followers, they are often the first to know if we have a new in-depth article posted and we value the comments, discussions and feedback we receive there. Today the number of photographers following us on Facebook surpassed 60,000! Thanks so much to all of you, we look forward to more exciting facebook activities! PictureCorrect Photography Tips on Facebook

picturecorrect facebook

Serving photography tips to over 60,000 photographers worldwide


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Matching Sunlight with Lighting Equipment for Outdoor Fashion Photography (Video)

Posted: 25 Oct 2013 10:58 AM PDT

When starting out using strobes, you might think that it’s pointless to use them outside during a sunny day. However, there are many situations that call for more than just sunlight and/or reflectors. Outdoors strobes can help you balance your exposure between your background and the side of your subject that lies in shadow. Strobes will give you more brightness than reflected light and can give you a softer, harder, wider, or narrower light depending on the attachment you put on it. In this video, James Schmelzer shows you how he balances sunlight and strobes, and how to get a shallow depth-of-field outside on a sunny day:

Schmelzer uses a Canon 5D Mark III, Speedetron Explorer 1500 strobe, and a very large Wescott 36×48 softbox. To sync his flash and use a shutter speed of 1/8000th of a second, Schmelzer has a PocketWizard Flex TT5.

Tips for Using Strobes Outside:

  • Expose for the Background First – Make sure your scene is properly exposed before you worry about lighting your subject.
  • Take Note of Lighting Direction – Where is your natural light coming from? Left? Right? Behind? Think about where you want this light to fall on your subject and how you can balance it out with your strobe.
  • Your Shutter Speed Won’t Affect Your Strobe Brightness – Strobes create a very quick pulse of light. The speed with which a strobe fires is faster than your camera’s default max sync speed. So whether you shoot at 1/60th or at 1/3rd of a second, the flash will remain the same power/brightness. The ambient light, however, will change.
  • Watch For Difference in Color Temperature – Depending on the time of day and the strobe/continuous light you’re using, you may notice that the colors of your lights and that of the natural light may not match. Continuous lights come in a range of color temps., however, with strobes you’ll have to use colored gels to alter their color.
outdoors outside flash strobe lighting equipment matching sunglight

The 1/8000th shutter speed was possible with PocketWizard’s HyperSync technology that allows cameras to shoot at fast shutter speeds with strobes

“The sky is so big, the light sources outside are so big to imitate that I like to use either a big, huge octobox or a large umbrella and put it in butterfly position up really high.”


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Article from: PictureCorrect Photography Tips

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