Tuesday, 11 June 2013

Released Today: Lightroom 5 and an Up to Speed Guide

Released Today: Lightroom 5 and an Up to Speed Guide

Link to PictureCorrect Photography Tips

Released Today: Lightroom 5 and an Up to Speed Guide

Posted: 10 Jun 2013 04:47 PM PDT

Adobe has just released Lightroom 5 (Available at Amazon), and the changes are amazing! With every version Lightroom gets better and better, but every time they change things up it means time re-learning the software and adapting its new features. Piet Van den Eynde, a notable Lightroom teacher prepared a guide for the new release. Also today: Lightroom 5 Up to Speed

lightroom 5 guide

New: Lightroom 5 Up to Speed (Click to Learn More)

Lightroom 5 Up to Speed is written by an Adobe Certified Expert who shows you all the new features and how to get started using the new tools. The 77-page eBook, and companion videos (50+ minutes), are designed to help you get up to speed with what’s new in your favorite digital darkroom software.

The guide walks you through the installation of Lightroom 5, the new Advanced Healing Brush, Upright, Radial Filter, Smart Previews (offline editing), the improvements to Book and Slideshow modules, and almost 30 other changes, big and small. Gives you tons of suggestions on how to exploit the potential of these features; plus a bonus chapter about the new and improved Lightroom plug-ins.

"Lightroom was originally conceived through the requests of Adobe customers, and this feedback continues to drive each new iteration," said Winston Hendrickson, vice president of products, Creative Media Solutions, Adobe. "As the digital photography landscape advances and evolves, Lightroom is the best solution for photographers and passionate hobbyists who want to get the most out of their digital images."

New Features in Lightroom 5

  • Lightroom 5 adds powerful new editing tools to help photographers create better images faster. The Advanced Healing Brush enables customers to fix irregularly shaped imperfections such as dust spots, splotches, and other distractions with the precision and flexibility of a fine brush. The Upright tool analyzes each image to automatically straighten objects such as buildings and level horizons. Radial Gradients offer customers the control to make photo subjects stand out by applying off-center and multiple vignettes in a single image.
  • Lightroom 5 also brings extended sharing and publishing capabilities. New video slideshows enable customers to combine still images, video clips and music in a creative HD slideshow that can be viewed on almost any device. Updates to the Book module bring the ability to create, personalize and print elegant photo books from a variety of tailored, easy-to-use templates, as well as create customer-specific templates.
  • Smart Previews, new in Lightroom 5, enable photographers to make edits to their images offline, without bringing their entire library of original files with them. Edits and metadata changes to Smart Preview files are automatically applied to the original images when they are reconnected.

Feeling Way Behind on Lightroom?

Craft & Vision has bundled Piet’s popular BIG BOOK, Lightroom 4 UnMasked, which is a very in-depth 312-page handbook, along with his brand new Lightroom 5 Up to Speed eBook to provide all the high-resolution screenshots, step-by-step instructions, tips, tricks and ideas to cover the full extent of the program. This bundle includes almost 400 pages of Lightroom content, 50+ practical cases and an hour of video tutorials.

It can be found here: The Comprehensive Lightroom Training Bundle


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Article from: PictureCorrect Photography Tips

How to Create a Black Background Anywhere with this Photography Trick

Posted: 10 Jun 2013 03:05 PM PDT

Many portrait photographers dream of owning a studio with all the bells and whistles. However, some photographers who work on-location in less-than-ideal surroundings are able to make their images look as if they were taken in a studio. One of these resourceful photographers, Glyn Dewis, produces outdoor portraits that have a studio look without using a backdrop. He reveals his secret for creating an invisible black background in this short tutorial (for those of you reading this by email, the video tutorial can be seen here):

Dewis effectively produces a studio photography look while shooting outside in a parking lot with just an umbrella and a Canon Speedlite.

black-backdrop-trick

Follow these steps to create the look of a black background without purchasing a backdrop or using post-production tricks:

  1. Turn off all of your flashes.
  2. Set the camera and strobes to manual mode.
  3. Choose a small aperture setting, a low ISO, and a shutter speed of 1/250 of a second (or the sync speed for your camera and flash unit).
  4. Take a test shot of your scene, and adjust your settings until the test shot results in a completely black frame (Via Petapixel & ISO1200).
  5. Keep these camera settings and beginning setting up your shot.
  6. Shoot an off-camera flash into an umbrella that’s been closed down to narrow and control the light hitting your subject.
  7. Set the strobe to full power and take a test shot. Adjust the light until you get the desired results. On bright days, you may need to use a more powerful flash or multiple strobes to use this technique.

This is a handy trick that can be used in almost any situation to make your photos look as if they were taken in a studio.


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Timelapse Photography Showing the Amazing Power of Hawaii’s Volcanoes

Posted: 10 Jun 2013 01:16 PM PDT

Having photographed each of the United States’ 59 National Parks, professional landscape photographer QT Luong is no stranger to capturing the magnificent vistas of the natural world. An experienced outdoorsman, he cherishes the challenges that come with the shots that he wants to take, whether it be scaling tall mountains, traversing lonely streams, or trekking scorching sand dunes. But when he came to Hawaii to capture the beauty of its many volcanoes, he faced an entirely different kind of challenge. How does one capture the dynamic nature of the ever-changing volcanic landscape in a still photo? You simply can’t. The answer lay in doing a timelapse (for those of you reading this by email, the timelapse video can be seen here):

For the project, QT set aside his old dependable large-format camera in favor of something more modern. He used Canon 5D Mark II and 5D Mark III cameras with an assortment of lenses. Post-production was done on Adobe’s workhorses — Lightroom, Photoshop, After Effects, and Premiere Pro, among others. It’s a labor of love that was two years and hundreds of man-hours in the making. And the resulting video is nothing short of breathtaking.

Hawaii Volcano Lava Timelapse

For Further Training on Time-lapse Photography:

There is an in-depth guide (146 pages) to shooting, processing and rendering time-lapses using a dslr camera. It can be found here: Time-lapse Photography Guide


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Using Multiple Exposures in Action Photography

Posted: 10 Jun 2013 12:29 PM PDT

When you first take a look at photographer Marcelo Maragni’s images, you might think that they’re a product of Photoshop. But the truth is they’re all created in camera. Maragni’s photos are created with multiple exposures. In the film days, a multiple exposure occurred when the strip of film did not advance to the next frame causing the same frame to be exposed twice. This created overlapping images, and while it was originally the result of a mechanical failure or mistake on the part of the photographer, it has become an area of experimental photography (for those of you reading this by email, the video can be seen here):

The great thing about shooting multiple exposures with digital is that you can choose which two photos to combine. Most DSLRs will have a multiple exposure function that will allow you to go through your images and preview how the two would look like combined together. The results can yield unique and unexpected photos.

Perhaps the most fun part of creating multiple exposures is that it means you get to spend more time shooting and less time at the computer. But, like photography itself, creating multiple exposures is both an art and a science. You’ll need to learn how bright areas will look on dark areas, and vice versa, when creating multiple exposures. But seeing as you can’t live view the how the final image will look, a bit of guessing and experimentation will be needed as well.

multiple exposure photography

It’s not Photoshop, it’s multiple exposures!


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Article from: PictureCorrect Photography Tips

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