Friday 5 July 2013

Popular Street Photography Guide: We Have it for 25% Off

Popular Street Photography Guide: We Have it for 25% Off

Link to PictureCorrect Photography Tips

Popular Street Photography Guide: We Have it for 25% Off

Posted: 04 Jul 2013 04:32 PM PDT

Have you been wanting to learn more about the technical and conceptual aspects of Street Photography? This 141 page eBook covers everything about the genre even down to specific post processing techniques that can bring the best out of street scenes (& includes a bonus eBook of interviews with famous street photographers).

essentials of street photography

Essentials of Street Photography (Click to Learn More)

We were able to arrange a 25% discount for our readers which expires next Friday. Simply use the code picturecorrect at checkout:

It can be found here: Essentials of Street Photography

Street photography is a broad subject with many different opinions, styles and techniques involved. Telephoto lenses, wide-angle lenses, manual focusing or auto; some people swear by certain techniques while others disavow them. The goal of this book is to take a well rounded approach to the study of street photography, focusing on both the equipment settings and technical concepts that are involved in the craft along with the process of editing our work.

Topics Covered:

  • Part 1: concepts of street photography
  • Chapter 1: How to Get Over Your Fear of Street Photography
  • Chapter 2: The Meaning of Street Photography
  • Chapter 3: What Makes a Great Street Photograph?
  • Chapter 4: Shooting What You Know
  • Chapter 5: Expression, Gesture, and Photographing People
  • Chapter 6: Themes and Projects
  • Chapter 7: Planning a Shot
  • Chapter 8: Candid vs. Posed
  • Chapter 9: Street Portraits
  • Chapter 10: Capturing Your Surroundings
  • Chapter 11: Ethics and Laws
  • Part 2: technical issues
  • Chapter 12: Gear
  • Chapter 13: Camera Settings
  • Chapter 14: How to Focus
  • Chapter 15: Blur
  • Chapter 16: Shooting From the Hip
  • Chapter 17: How to Hold the Camera
  • Chapter 18: Zoom vs. Prime
  • Chapter 19: Perspective and Framing
  • Chapter 20: Light
  • Chapter 21: Capturing the Moment
  • Chapter 22: Looking Inconspicuous
  • Chapter 23: Street Photography at Night
street photography

Pages from Essentials of Street Photography (Click to See More)

  • Part 3: editing
  • Chapter 26: Organization and How to Pick Your Best Shots
  • Chapter 27: Post Processing
  • Chapter 28: Color or Black and White
  • Chapter 29: Grain and Sharpness
  • Chapter 30: Color Correction and Printing
  • Chapter 31: Writing About Your Work
  • Chapter 32: Like a Fine Wine
  • Chapter 33: The Internet
  • Exercises to help retain concepts
  • Websites and Street Photography Resources to Remember

“There are the formal elements that can be used to define the street photograph: the mysterious decisive moment that is shown in context; the use of juxtaposed elements to form a new synthesis that is unusual, although the juxtaposed elements may be ordinary; the desire to let the scene play without disturbing it; and most of all, the desire to experience and communicate the surprise that the photographer feels in the frame, which is pointed at the world of human beings and their creations.”

How to Get a Discounted Copy this Week:

Our readers can receive 25% off until next Friday, July 12 by using the discount code PICTURECORRECT at checkout. It also carries a 2 month guarantee, if you do not find the book useful just let them know to receive a full refund. So there is nothing to lose in trying it.

It can be found here: The Essentials of Street Photography


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Article from: PictureCorrect Photography Tips

Photographing an Airforce Pilot with his Fighter Jet: Watch How it’s Done

Posted: 04 Jul 2013 01:46 PM PDT

As the United States celebrates Independence Day with barbecues and fireworks, it’s an appropriate time to honor Americans, past and present, who have dutifully served their country. Robert Seale put the spotlight on his subject, Col. George “Bud” Day, when he photographed the Vietnam War veteran with an F-100 Super Sabre last year. This video provides a behind-the-scenes perspective of the epic photo shoot that made the cover of Air & Space/Smithsonian magazine (for those of you reading this by email, the behind the scenes video can be seen here):

Seale’s portfolio is full of polished portraits that give his subjects an air of strength and power. Pulling off these cover-worthy shots requires elaborate planning and efficient use of time and light. For this shoot, Seale and his crew orchestrated a pre-dawn photo session involving the movement of a fighter jet. He used large softboxes along with the early morning ambient light to define his subject. Close attention to detail allowed him to capture a number of striking images with the rising sun peaking over the horizon.

col-day-portrait-2

The lighting and perspective used in Seale’s photo shoot give Col. Day a well-deserved heroic look. Day, who spent over five years as a POW in North Vietnam, bears numerous awards, including a Medal of Honor and the Air Force Cross. He served in the military from 1942 to his retirement in 1977.

col-day-portrait

Setting up a portrait shoot involves more than an appropriate choice of location and equipment. As demonstrated by Seale, photographers also serve to create a mood that depicts the model in a way that highlights his or her persona.


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Article from: PictureCorrect Photography Tips

What Inspires a Photography Legend?

Posted: 04 Jul 2013 11:08 AM PDT

Henri Cartier-Bresson is one of the most well-known names in photography. Many may be familiar with his work, but not all may be familiar with his philosophy. Below is an original short created by 522 productions that incorporates an interview with Cartier-Bresson to show what it is that inspires the photographers as 522 (for those of you reading this by email, the video can be seen here):

Perhaps one of the most interesting responses Cartier-Bresson has is the one in which he talks about new ideas. Today, we often think that there can’t be anything new created. Everything’s been done. Everything’s been thought of. And we think, maybe if we lived 30 years ago, we could have created something new. But Cartier-Bresson laughs when he says this:

“There’s no new ideas in the world. There is only new arrangement of things. Everything is new, every minute is new. The world is being created every minute, and the world is falling to pieces every minute.”

40 years ago Cartier-Bresson said this. 40 years ago, he said there are absolutely no new ideas. But that doesn’t mean that you can’t create new things. So you shouldn’t be disappointed when you see someone create something that you think is completely original because there is always something different that can be done. In fact, seeing “new” things just goes to prove that there is still plenty of room in the world today for “new” things, even if they are just variations or a rebirth of the old.

film photography henri cartier-bresson

Sometimes you have to do a lot to gain a little


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Article from: PictureCorrect Photography Tips

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