Tuesday 28 January 2014

Nikon vs. Canon: Why One Photographer Made the Switch

Nikon vs. Canon: Why One Photographer Made the Switch

Link to PictureCorrect Photography Tips

Nikon vs. Canon: Why One Photographer Made the Switch

Posted: 27 Jan 2014 04:55 PM PST

When preparing to buy your first digital SLR, it can be difficult to choose between the two camera giants, Canon and Nikon. Perhaps you’re a seasoned photographer used to shooting one brand, and you wonder if you may be missing out. In this video, professional photographer and tech expert Scott Kelby discusses why he went from being a loyal Nikon user to a Canon devotee (for those of you reading this by email, the video interview can be seen here):

Though Kelby holds that both companies make great cameras, here are a few of the reasons why he now prefers Canon:

  • Super-fast autofocus. Though Kelby first noticed this feature on the 1DX, built for sports photography, other cameras (such as the 5D Mark III) have the same speedy and highly customizable autofocus.
  • User-friendly design. Visually streamlined, ergonomic, and with an intuitive user interface, Kelby likens the camera’s smart design to Apple computers.
  • Quick dial makes organization easy. When shooting hundreds or thousands of images of one event, the quick dial on Canon cameras enables you to instantly scroll through, lock, and select your favorites before you even upload the images to a computer.
  • Realistic skin tones. Every camera’s photos have a different look, and for sports and portrait photography, Kelby says Canon’s skin tones can’t be beat.
  • High ISO capability. When capturing subjects in motion, you will often need to use a higher ISO setting so that you can use a faster shutter speed. While some cameras produce a lot of noise with ISOs higher than 1600, high-end Canon cameras nearly eliminate this concern.

These are certainly compelling reasons to use a Canon camera, but every photographer is different. Try out different cameras and see which one is right for you. Kelby makes the apt comparison to buying a guitar–there isn’t necessarily one that’s better. “Go to the music store and play them both,” he says.

Is Canon or Nikon your camera of choice? Join the great camera debate here on our Facebook.


Go to full article: Nikon vs. Canon: Why One Photographer Made the Switch

What are your thoughts on this article? Join the discussion on Facebook or Google+

Article from: PictureCorrect Photography Tips

Interesting Photo of The Day: Eiffel Tower Through Fog

Posted: 27 Jan 2014 12:26 PM PST

The Eiffel Tower, being the historically stunning architectural landmark that it is, has its photo taken hundreds, possibly thousands of times a day. But when photographer, Javier de la Torre, set out to get himself a photo of the tower, he wasn’t going to settle with just a souvenir snapshot. As you can see below, de la Torre, wanted to capture “The Iron Lady” in all her breathtaking glory:

Eiffel Tower on a Foggy Night (Via Imgur, Click to See Full Size)

Equipped with a Nikon D800 and a Nikon 14-24mm lens, de la Torre decided on his composition and set up his tripod. He added a a Lucroit filter holder to his camera, slid in a Hi Tech 6 step ND filter, and worked on his exposure settings.  To make the image, the lens was extended to 24mm and the shutter speed was set to 3 seconds with an aperture of 6.3 at an ISO of 100.  Great shot!


Go to full article: Interesting Photo of The Day: Eiffel Tower Through Fog

What are your thoughts on this article? Join the discussion on Facebook or Google+

Article from: PictureCorrect Photography Tips

Bird Steals Camera and Captures Amazing Aerial Footage of Penguin Colony

Posted: 27 Jan 2014 11:28 AM PST

Ever wondered what it’s like to be a penguin? The creators of the BBC series “Penguins – Spy in the Huddle” have attempted to capture the experience, using 50 spy cameras to get up close and personal with penguins all over the world. What they didn’t expect, however, was for nature to take the filming into its own hands. In this clip, a Striated Caracara is so fascinated by an egg-shaped spycam that it takes it in its talons and flies off (for those of you reading this by email, the video can be seen here):

The resulting footage, a literal bird’s-eye view, is the first ever aerial footage of a penguin colony shot by a bird. Eventually, the caracara loses its grip on the egg cam, but it soon piques the interest of a pair of turkey vultures.

bird spycam

A still from the brief but breathtaking footage captured by the airborne egg cam.

This unexpected development was no doubt exciting for the filmmakers. Perhaps as the birds become more and more used to the spy cameras in their midst, the cameras will have even more airborne adventures, giving us footage unlike any that has been captured by humans.


Go to full article: Bird Steals Camera and Captures Amazing Aerial Footage of Penguin Colony

What are your thoughts on this article? Join the discussion on Facebook or Google+

Article from: PictureCorrect Photography Tips

Panorama Photography Tips

Posted: 27 Jan 2014 11:05 AM PST

You can take a panoramic image with a very wide-angle lens or you can take a series of shots and stitch them together. The great thing about creating a panorama by stitching photos together is the incredible detail than can be preserved. Using a sequence of shots also makes it possible to create 360×180 degree panoramas.

mountains panorama

“Smokey Mountains Panorama” captured by Todd Ward (Click image to see more from Ward.)

Here are some tips for creating a standard panorama composed of multiple shots stitched together:

  • Select a focal length between 18mm and 55mm.
  • Use the same exposure, white balance, and focus for all the shots.
  • Expose and focus on the focal point of your composition. Whatever is most important in the composition needs to be exposed properly. Everything else will have to use the same settings. Don’t vary the settings or you will be able to easily see separate photos. Some point-and-shoot cameras have a panoramic mode built-in. For these cameras, you may need to take a photo of the focal point then start the panoramic sequence.
  • Always shoot from left to right. The software that you will use to stitch the images together will expect the first image in the sequence to be on the far left.
  • Imitate the field of view that we see with our eyes. The normal field of view for human sight is nearly 180 degrees.
rainbow panorama

“Panorama Moorea” captured by Roland (Click image to see more from Roland.)

  • Overlap the images by about 1/3. This means that the second picture will repeat about 1/3 of the first picture. The third picture will overlap the second picture by 1/3, etc. If you have a tripod that shows degrees, each photo should be 25 to 30 degrees apart. You should take four to five shots–the number of shots depends on your focal length and the degrees between shots.
  • Use a tripod. It is possible to hand-hold panoramic shots, but the images probably won’t line up very well. Point-and-shoot cameras with a panoramic mode usually show you a ghost image of the previous shot to help see the overlap, but you have to guess with DSLR cameras.
travel photography panorama

“Portofino Panorama” captured by Jack Harwick (Click image to see more from Harwick.)

Some camera manufacturers, such as Canon, bundle software with the camera that can be used to stitch photos together. You can also use Adobe Photoshop to stitch the images together by selecting File > Automate > Photomerge. A free alternative is to use Hugin to stitch together complex panoramas such as 360×180 degree panoramas.

If you become obsessed with taking panoramas, you may want to get a special panoramic head for your tripod. These heads are specifically designed for taking panoramas and allow you to position the entrance pupil/no-parallax point of the camera’s lens over the pivot point of the tripod in order to eliminate parallax errors.

landscape panorama

“Columbia Gorge Panorama” captured by Jack Harwick (Click image to see more from Harwick.)

There are even robotic heads that automate the process and take the pictures for you. Parallax errors become most obvious when there are really close objects in your scene. I have taken many panoramic shots of landscapes and seldom see parallax errors, but if you are a perfectionist, you will probably want to invest in a one of these heads.

Gary Ramey is an instructor at two colleges in South Florida teaching digital photography techniques, concept development, desktop publishing, website design, application quality assurance, and project management.

About the Author:
Gary Ramey (trickphotographyideas.com) is an instructor at three colleges in South Florida teaching graphic design, Photoshop, digital photography techniques, concept development, desktop publishing, website design, application quality assurance, and project management.


Go to full article: Panorama Photography Tips

What are your thoughts on this article? Join the discussion on Facebook or Google+

Article from: PictureCorrect Photography Tips

No comments:

Post a Comment